Meet Dexter Morgan. By day he’s a blood spatter pattern expert for the Miami Metro police department. But by night - he takes on an entirely different persona: serial killer. But Dexter isn’t your average serial killer as he only kills people who fit a very prolific and precise “moral code” taught to him by his late father Harry (he didn’t kill Harry, honest), and developed very thoroughly throughout each kill.
Sia - Breathe Me (Six Feet Under Finale)
Vampires not only exist, but the entire world knows about them. Since a Japanese scientist’s invention of synthetic blood, vampires have progressed from legendary monsters to fellow citizens overnight. And while humans have been safely removed from the menu, many people remain apprehensive about vampires living amongst them in Louisiana. In the southern town of Bon Temps, a local barmaid named Sookie Stackhouse (Anna Paquin) understands what it’s like to be an outcast. Cursed with the ability to listen in on people’s thoughts, she’s also open-minded about the integration of vampires. She is especially intrigued by Bill Compton(Stephen Moyer), a handsome 173-year-old living up the road. But as Sookie is drawn into a series of mysteries surrounding Bill’s arrival in Bon Temps, that tolerance will be put to the test. Other town residents include Sookie’s best friend Tara (Rutina Wesley), her slow-witted older brother Jason (Ryan Kwanten) and her shape-shifting boss Sam (Sam Trammell). Six Feet Under’s creatorAlan Ball created this sexy horror show based on the novels byCharlaine Harris.
Dead Like Me is an American television comedy-drama starring Ellen Muth and Mandy Patinkin as grim reapers in Seattle, Washington. Filmed in Vancouver, British Columbia, the show was created by Bryan Fuller for the Showtime network, where it ran for two seasons in 2003 and 2004 before cancellation. Fuller left the show after five episodes due to creative differences; he went on to co-create Wonderfalls and create Pushing Daisies. Creative direction of Dead Like Me was taken over by executive producers John Masius and Stephen Godchaux. HDNet is currently showing reruns of the series on Monday evenings; the series is also being rerun in Broadcast syndication. A direct-to-DVD movie has completed filming and the target release is 2009; depending on the movie’s success, the series may be picked back up again. A petition to bring back Dead Like Me is currently running.
Eighteen-year-old Georgia “George” Lass (played by Muth) is the show’s protagonist and narrator. George dies early in the pilot episode. She becomes one of the “undead”, a grim reaper. George soon learns that a reaper’s job is to remove the souls of people, preferably right before they die, and escort them until they move on into their afterlife. George’s death leaves her mother (Cynthia Stevenson) and rest of her family behind at a point when her relationships with them were on shaky ground.
The show explores the “lives” and experiences of a small team of such reapers — led by Rube (played by Patinkin) — as well as the post-mortem changes in George and her family as they deal with George’s death.
Georgia Lass is aloof and emotionally distant from her family and shied away from her life. After dropping out of college, she takes a job at Happy Time Temporary Services. On her lunch break of her first day, she is hit and killed by a toilet seat from the de-orbiting of the Mir space station. She is informed shortly after her death that, rather than moving on to the “great beyond”, she will become a grim reaper in the “external influence” division, responsible for reaping souls of people who die in accidents (many of which are of Rube Goldberg-style and complexity), suicides and homicides.
Through the first season, George has trouble adjusting to her circumstances: collecting souls, while holding a day job at Happy Time. By the second season, she has mostly adjusted to her new role, though still has unresolved issues with her life and her afterlife.
George’s family is struggling to deal with her death. Her mother, Joy, is depressed, and visibly repressing it, while Clancy, her father, is cheating on Joy. George’s sister, Reggie, acts out — stealing toilet seats from neighbors and school, and hanging them on a tree — before being sent to therapy by Joy. She clings to the belief that George visits her, but is starting to lie to cover this up. At the start of the second season, the family began to break apart as divorce proceedings began.
Nearly all of the main characters have some form of depression, but they cope with it in different ways: Mason resorts to alcohol and drugs; Daisy puts on a veneer of perkiness; and Roxy is physically and verbally aggressive. Rube and George are more open about their sadness.
Six Feet Under is an American television drama created by Alan Ball that was originally broadcast from 2001 to 2005. It was produced by Alan Ball, Alan Poul, Robert Greenblatt and David Janollari. The series centers on Fisher & Sons Funeral Home, a family-run mortuary, and explores the lives of the Fisher family following the death of the family patriarch. It is set in modern-day Los Angeles. The title is a colloquialism for death, six feet (1.83 metres) being the traditional depth at which a corpse is buried.
Six Feet Under was produced by Actual Size Films and The Greenblatt/Janollari Studio. It first aired on HBO in 2001, and has been broadcast in syndication in the US by basic cable channel Bravo as well as in dozens of other countries. The series ended its five year run on August 21, 2005.
The show received critical acclaim from Variety, The Hollywood Reporter, and The New York Times, among other media, and has garnered praise from fellow television producers and funeral directors, with many considering it to be one of the best dramas ever made for television. In total, Six Feet Under won three Golden Globe Awards and nine Emmy Awards, as well as a Peabody Award. The series won the Golden Globe award for Outstanding Drama Series and Best Supporting Actress for Rachel Griffiths in 2002. Frances Conroy went on to receive the award for Best Actress in a Drama for the Golden Globes in 2004. The show also won the Screen Actors Guild award for Best Ensemble for a Drama Series two years in a row (2003–2004).
The show stars Peter Krause as Nathaniel Samuel (“Nate”) Fisher Jr., the son of a funeral director who, upon the death of his father (Richard Jenkins), reluctantly becomes a partner in the family funeral business with his brother David, played by Michael C. Hall. The Fisher clan also includes mother Ruth (Frances Conroy) and sister Claire (Lauren Ambrose). Other regulars include mortician and family friend Federico Diaz (Freddy Rodriguez), Nate’s on-again, off-again girlfriend Brenda Chenowith (Rachel Griffiths), and David’s on-again, off-again boyfriend Keith Charles (Mathew St. Patrick).
On one level, the show is a conventional family drama, dealing with such issues as relationships, infidelity, and religion. At the same time, it is a show distinguished by its unblinking focus on the topic of death, which it explores on multiple levels (personal, religious, and philosophical). Each episode begins with a death — anything from drowning or heart attack to Sudden Infant Death Syndrome — and that death usually sets the tone for each episode, allowing the characters to reflect on their current fortunes and misfortunes in a way that is illuminated by the death and its aftermath. The show also has a strong dosage of dark humor and surrealism running throughout.
A recurring plot device consists of a character having an imaginary conversation with the person who died at the beginning of the episode. Sometimes, the conversation is with other recurring dead characters, notably Nathaniel Fisher Sr. The show’s creator Alan Ball states they represent the living character’s internal dialogue by exposing it as an external conversation.
Although overall plots and characters were created by Alan Ball, there are conflicting reports on how the series was conceived. In one instance, Ball stated that he came up with the premise of the show after the deaths of his sister and father. However, in an interview, he intimates that HBO entertainment president Carolyn Strauss proposed the idea to him. In a copyright-infringement lawsuit, screenwriter Gwen O’Donnell asserted that she was the original source of the idea which later passed through Strauss to Ball; the U.S. Court of Appeals for the Ninth Circuit, proceeding on the assumption that this assertion was true, rejected her claim.
The show focuses on human mortality and the lives of those who deal with it on a daily basis. When discussing the concept of the show, creator Alan Ball elaborates on the foremost questions the show’s pilot targeted:
Who are these people who are funeral directors that we hire to face death for us? What does that do to their own lives - to grow up in a home where there are dead bodies in the basement, to be a child and walk in on your father with a body lying on a table opened up and him working on it? What does that do to you?
Six Feet Under introduces the Fisher family as the basis on which to answer these questions. Throughout its five-season, 63-episode run, major characters experience crises which are in direct relation to their environment and the grief they’ve experienced. Alan Ball again relates these experiences as well as the choice of the series’ title, to the persistent subtext of the program:
Six Feet Under refers not only to being buried as a dead body is buried, but to primal emotions and feelings running under the surface. And when one is surrounded by death it seems like to counterbalance that, there needs to be a certain intensity of experience, of needing to escape. It’s Nate with his sort of womanizing; it’s Claire and her experimenting with dangerous boys and dangerous drugs; and it’s Brenda’s whole sexual compulsiveness; it’s David having sex with a hooker in public; it’s Ruth having affair after affair; it’s the life force trying to push up through all of that suffering and grief and depression.